Elisabeth St-Gelais, German romantic evening

Soprano Elisabeth St-Gelais is joined by her long-time accomplice, pianist Louise Pelletier, and clarinetist Victor Alibert, for a concert dedicated entirely to German music.

 

GERMAN ROMANTIC EVENING

Elisabeth St-Gelais, soprano 
Victor Alibert, clarinet
Louise Pelletier, piano

 

AN EARLY LOOK AT THE REPERTOIRE*

Louis Spohr : Deutsche Lieder (Chansons allemandes), opus 103
Robert Schumann : Fantasiestücke, opus 73
Johannes Brahms : Zigeunerlieder (Chansons tziganes), opus 103
Franz Schubert : Der Hirt auf dem Felsen (Le Pâtre sur le rocher), D 965

 

Artist-in-residence presented by: 

 

 

 

 

BIOGRAPHIES

Elisabeth St-Gelais, soprano

Named Radio-Canada’s 2023- 2024 classical breakout artist, in April 2023 Elisabeth St-Gelais completed a master’s degree in the Opera and Voice program at the Schulich School of Music of McGill University. A member of the Innu nation, from the community of Pessamit, she accords immense importance to sharing her culture through her mission as an artist. She made her European debut in the summer of 2022 at the Berlin Opera Academy, in the role of Rosalinde in the operetta Die Fledermaus. Ms. St-Gelais has performed throughout Canada, notably with the Orchestre symphonique du Saguenay- Lac-Saint-Jean, Orchestre symphonique de la Côte-Nord, I Musici de Montréal, Orchestre de l’Agora, Orchestre symphonique de Québec and Orchestre des Jeunes de Montréal. In 2022, she won McGill University’s prestigious Wirth Vocal Prize, and the Grand Prize in the 19-30 age category at the Canimex Canadian Music Competition. That same year, she was featured in CBC’s prestigious “30 Hot Classical Musicians under 30” list, and in 2023, she was awarded the Prix d’Europe in Montreal and the First prize and Audience Choice at the Center Stage 2023 competition of the Canadian Opera Company. In november 2023, she is the western canada district winner for the MET OPERA LAFFONT COMPETITION. Deeply engaged with the montreal’ musical community, she is since April 2023 part of the boards of directors of the Conseil de la Musique du Québec.

     

Victor Alibert, clarinet

A versatile musician, Victor Alibert masters a wide range of styles, from classical and klezmer to Brazilian chorus and contemporary music. He can be heard in symphonic concerts (Orchestre de l’Agora, OPCM, FILMharmonique), in musical theatre (Moulin à Musique), in the studio, on the pop scene (Flore Laurentienne, Patrick Watson, Vincent Vallière, Belle Grand Fille), and as a soloist (Klezmer Clarinet Concerto – Orchestre de l’Agora, Krommer’s Double Concerto – OPJM). With a passion for sharing, Victor Alibert also presents musical activities in nursing homes, health care facilities, and prisons, in addition to teaching at the Cégep de St-Laurent. As a musician with Ensemble Paramirabo, he has been invited to give master classes at Domaine Forget and at the Waterloo Region Contemporary Music Sessions. Also with Ensemble Paramirabo, Victor Alibert was the winner of the 2018 Opus Award for Show of the Year (À chaque ventre son monstre), the 2020 Opus Award for Performer of the Year, and was a 2020 JUNO Awards nominee for Classical Music Album of the Year (Alone and Unalone).

Louise Pelletier, piano

Known for her sensitivity and enthusiasm, Louise Pelletier has led a dynamic and remarkable career as a pianist, accompanist and vocal coach. For over 20 years, Mrs. Pelletier has held the position of accompanist/vocal coach at McGill University’s Schulich School of Music and has often served as a rehearsal pianist for Opera McGill. A faithful and devoted accompanist, she has worked in the voice studios of Bill Neill, Thérèse Savadjian, Winston Purdy, Joanne Kolomyjec, Lucille Evans, Michael Meraw, Yolande Parent, Catherine Sévigny, Marie Daveluy, Sanford Sylvan, Stefano Algieri and Dominique Labelle.

Having a vast knowledge of both recital and operatic repertoire, Louise is often called upon as an official pianist for competitions, auditions for Young Artist programs and various summer training programs. She is an official pianist for the Canadian Music Competition as well as the International Stepping Stone Competition and serves as an official pianist for the Canadian Opera Company auditions in Montreal. She is also regularly hired by the Jeunes Ambassadeurs Lyriques to play auditions and gala concerts. She has served as accompanist at the American Institute for Musical Studies (AIMS) in Graz, Austria and for several years been an important part of the Canadian Vocal Arts Institute (CVAI) in Montreal, serving as coach and accompanist, alongside Joan Dornemann and many notable teachers from New York’s Metropolitan Opera. While still being an active member of the CVAI faculty, for the past two years, Louise has also been the vocal coach and in charge of the scenes program at the Cincinnati College-Conservatory of Music’s Summer Opera Studio. As a member of the faculty of CCM’s Summer Opera Studio, she has played for the voice classes of William McGraw and Joyce Miller, as well as staging rehearsals for directors Vernon Hartman and Vince Degeorge. Other stage directors she has worked closely with include Renaud Doucet, Patrick Hansen and François Racine.

She collaborates with many of the major orchestras across Quebec, such as l’Orchestre Symphonique de Laval, l’Orchestre Symphonique de Longueuil, the McGill Chamber Orchestra, the Festival de Lanaudière and the Orchestre Métropolitain, and has occupied the positions of répétiteur, pianist, and harpsichordist for choral works, symphonic works and operatic works. A versatile and highly sought-after colleague, she has worked with many leading conductors, including Jean-Philippe Tremblay, Jean-Marie Zeitouni, Véronique Lacroix, Julian Wachner, Jean-Francois Rivest, Agnès Grossman, Marc David, Boris Brott, Miklos Takacs and most notably, Yannick Nézet-Séguin. Her close relationship with Maestro Nézet-Séguin was one that first developed over a period of 6 years at the Choeur de Laval, and they then went on together to the Orchestre Métropolitain, where Louise continues to serve as the pianist for the choir. Other musical projects with Yannick Nézet-Séguin include Hänsel and Gretel in a collaboration between Théâtre sans fil and the Orchestre Métropolitain, as well as Pélléas et Mélisande at the Opéra de Montréal.

 

* Les JM Canada se réservent le droit de modifier le répertoire sans préavis.