Les Pêcheurs de perles
“At the back of the holy temple, adorned with flowers and gold, a woman appears.” One of the most beautiful duets of French opera, “Au fond du temple saint,” formed the basis of Bizet’s first operatic work, which he wrote at the age of 25. It’s a tale of betrayed friendship, impossible love and sacrificial rituals. The fishermen Zurga and Nadir and the object of their desire, the priestess Leïla, form a love triangle, bound by an oath that is doomed to failure. The island of Ceylon in South Asia is the setting of this tragic story.
Programme
Distribution
Carole-Anne Roussel (soprano) : LEÏLA
Louis-Charles Gagnon (tenor) : NADIR
Bruno Roy (baritone) : ZURGA
Olivier Bergeron (baritone) : NOURABAD
Holly Kroeker : piano
Creative and tour team
Stage Direction : Alain Gauthier
Musical Direction : Esther Gonthier
Scenography : Pierre-Luc Boudreau
Lighting Design : Chantal Labonté
Makeup Design : Elene Pearson
Technical Direction : Jean-Marie Gardien
Technical Direction on Tour : Marie-Hélène Grisé (East Tour) and Eugénie Bégin (West Tour)
Assistant to Stage Direction : Chloé Ekker
A FIRST LOOK AT THE REPERTOIRE*
G. Bizet (1838-1875)
Act II: Air « Me voilà seule dans la nuit » (Leïla)*
**Audio file recorded by Catherine St-Arnaud, (soprano), Geoffrey Schellenberg (baritone) and Esther Gonthier, (piano)
Recording and editing by Pierre Léger.